Luang Pu Hin (Lp Hin) Wat Rakang Kositaram

 

Luang Pu Hin (Lp Hin) Wat Rakang Kositaram

Phra Khru Sangkharak Hin, also known as Luang Pu Hin, held the title of Venerable Phra Thepsitinayok, formerly Luang Pu Nak. He was a highly respected senior monk at Wat Rakhang Khositaram.

Born with the surname Sukkasem on November 9, 1899, in Pari Veng Province, Cambodia, Luang Pu Hin was ordained as a novice for 15 years before temporarily disrobing to help his family. He was re-ordained at the age of 21 at Wat Thanakhan in Cambodia, with Phra Rattanawong as his preceptor, Phra Ajahn Ram as his Kammawacha preceptor, and Phra Mongkol Thera as his anusavihara preceptor.

After ordination, Luang Pu Hin embarked on a journey to study occultism, beginning with the Trinisinghe Yantra. He walked on pilgrimages across the jungles of Burma, Battambang, and Angkor Wat, training with various master monks in esoteric arts. His studies culminated in 1922, after which he traveled along the Thailand border through Kabin Buri, Nakhon Nayok, Saraburi, and Sukhothai. He later ventured into Ayutthaya, where he helped construct temples and Dharma halls at Wat Thang Luang, staying for 11 years.

In 1935, inspired by the teachings of Somdej Phra Buddhacarya Toh Phrommarangsi, Luang Pu Hin visited Wat Rakhang and became a close disciple of Luang Pu Nak. Under Luang Pu Nak’s guidance, Luang Pu Hin assisted with various temple activities, including overseeing temple constructions. Despite limited resources, Luang Pu Hin would often create and distribute amulets to raise funds for the temple.

His reputation for creating sacred amulets grew, and he began producing Somdej amulets from 1939 to 1972, including notable models such as the Garuda Chest, Curtain, Thread, Chedi, and Bodhi Leaf designs. He collected powders from various sacred sources, such as Wat Sampluem and Pilan powder, to imbue the amulets with spiritual power. He made a total of eight models, with his most significant being the 100th anniversary Somdej Phra Buddhacarya To commemoration edition in 1972.

Ordained in 1920, Luang Pu Hin became proficient in meditation and black magic, and later studied traditional medicine, helping thousands of people. He moved to Wat Rakhang in 1935 and stayed there for 43 years. In his later years, he developed health issues and moved to Wat Kluai in Ayutthaya for treatment. He returned to Wat Rakhang shortly before passing away on May 21, 1978, at the age of 79, with 58 years in monkhood.

This information is derived from a small pocket book distributed during Luang Pu Hin’s cremation ceremony, which was compiled by Phra Si Suthisophon (Thiang Akkathammo). The book provides an authentic account of his life, teachings, and amulet creations, making it a valuable resource for disciples and amulet collectors alike.


History of Phra Somdej Amulets Created by Luang Pu Hin

1. Phra Somdej, First Edition (BE 2482)

This edition featured 5 distinct prints, distributed widely among disciples, police, and soldiers. Many soldiers carried these amulets into battle and reported miraculous experiences, earning this version the nickname "Phra Somdej Indochina Model".

  • 1.1 Garuda Chest Print (Pim Ork Kru)
  • 1.2 Curtain Print (Pim Waekman)
  • 1.3 Yarn Print (Pim Yai)
  • 1.4 Pagoda Shape (Pim Song Jadee)

2. Phra Somdej, Second Edition (BE 2484)

This series, consisting of 5 prints, was made using sacred powders, including Phra Somdej powder from the crypts of Wat Rakhang and Wat Sam Pluem, as well as Phong Suriyatra, Phong Trinisinghe, and Phong Maharaj.

  • 2.1 Principal Print (Pim Song Phraprathan)
  • 2.2 Royal Hair Through the Arch (Pim Song Phra Kethalusum)
  • 2.3 Male Robe Print (Pim Song Chai Ciwon)
  • 2.4 Chest of the Alms Bowl Print (Pim Ork Kru Sen Bat)
  • 2.5 Double-Eared Bust Print (Pim Song Rong Hu Yan Khu)

3. Phra Somdej, Third Edition (BE 2488)

This series included 2 prints, created using Somdej powder, Pilant powder, and sacred powders from Wat Sam Pluem, Suriyatra, Maharaj, and Trinisinghe.

  • 3.1 Popular Style Print (Pim Song Niyom)
  • 3.2 Pagoda Shape Print (Pim Song Jadee)

4. Phra Somdej, Fourth Edition (BE 2494-2495)

Known as the "2495 Model," this edition was created when the temple dismantled the Trai Tower in 1951, utilizing materials such as broken Somdej powder, Pilant powder, and powders from Wat Sam Pluem, Suriyatra, and Trinisinghe. The amulets came in 6 prints and featured a mix of white powder and palm leaf materials.

  • 4.1 Principal Buddha Image in two materials: Powder and Palm Leaf (Pim Song Phraprathan Nur Phong & Nur Bailan)
  • 4.2 Buddha Image on Table Leg (Pim Song Phraprathan Khatoh)
  • 4.3 Pagoda Shape (Pim Song Jadee)
  • 4.4 Equilateral Triangle Print (Pim Samlian Dam Thao 4)
  • 4.5 Isosceles Triangle Print (Pim Samlian Na Chaw)
  • 4.6 Small Isosceles Triangle Print (Pim Samlian Na Chaw Pim Lek)

5. Phra Somdej, Fifth Edition (BE 2497)

This series included 2 prints, crafted using leftover Somdej powder and other sacred powders.

  • 5.1 Pagoda Shape (Pim Song Jadee)
  • 5.2 Pagoda Through the Arch (Pim Song Jadee Thalusum)

6. Phra Somdej, Sixth Edition (BE 2500)

To commemorate the 2,500th Buddhist Year, Luang Pu created 84,000 amulets for wide distribution and included them in the 25th Buddhist Century Ceremony for added sanctity. The series featured 15 types of prints with remarkable designs and sacred blessings.

  • 6.1 Principal Buddha Image, Worship Size (Pim Phraprathan Kanan Bucha)
  • 6.2 Large Bodhi Leaf Print (Pim Prok Pho Pim Yai)
  • 6.3 Naga Style (Pim Song Nak Prok)
  • 6.4 Prok Pho Than Sam (Pim Prok Pho Thansen)
  • 6.5 Garuda Chest Alms Bowl (Pim Ork Kru Sen Bat)
  • 6.6 Pillow Base Print (Pim Thanmon)
  • 6.7 Popular Style (Pim Song Niyom)
  • 6.8 Pagoda Shape (Pim Song Jadee)
  • 6.9 Popular Style, Medium (Pim Song Niyom Pim Klang)
  • 6.10 Popular Style, Small (Pim Song Niyom Pim Lek)
  • 6.11 Prok Bodhi Score Print (Pim Khanen Prok Phohi)
  • 6.12 Principal Score Print (Pim Khanen Phraprathan)
  • 6.13 Isosceles Triangle Print (Pim Samlian Na Chaw)
  • 6.14 Small Principal Score Print (Pim Khanen Song Phraprathan Kanen Lek)
  • 6.15 Melon Grain Print (Pim Song Med Teang)
  • 6.16 Sankajai Print (Pim Sankajai)

7. Phra Somdej, Seventh Edition (BE 2510-12)

Known as the "Saturday 5 Edition", created on the 5th Saturday of the 5th lunar month, an auspicious occasion in Thai tradition. The amulets included 6 prints and incorporated wooden pieces from Somdej Toh’s hut columns.

  • 7.1 Popular Pillars Made of Wood from Somdej Toh’s Hut (Pim Niyom Sao Wek Sang WeMai Tha Cak Sao Kuti Somdej Toh)
  • 7.2 Chulamanee Style (Pim Song Chualamanee)
  • 7.3 Sacrament Print (Pim Sankhati)
  • 7.4 Chest with Ear Groove, Sam Base (Pim Song Ork Rong Huyan Thansen)
  • 7.5 Lotus Petals Print (Pim Kleepbua)
  • 7.6 Principal Buddha Image (Pim Song Phraprathan Hubaysri)

8. Phra Somdej, Eighth Edition (BE 2515)

Created to commemorate the 100th Anniversary of Somdej Phra Buddhachan Toh’s passing, this edition included 2 prints and was blessed during the Maha Phuttha Phisek ceremony.

  • 8.1 Popular Style (Pim Song Niyom)
  • 8.2 Garuda Alms Chest Print (Pim Ork Kru Sen Bat)
  • 8.3 Commemorative Coins, First Edition (Rian Roon Rek BE2516)

9. Phra Kring Amulet (BE 2518)

Created in the likeness of earlier Phra Kring amulets, these sacred objects were meticulously crafted with profound blessings.

10. Luang Pu Hin Coin (BE 2521)

A commemorative coin honoring Luang Pu Hin, crafted in BE 2521, continues to hold spiritual and historical significance.

Conclusion

Each edition of Phra Somdej crafted by Luang Pu Hin carries unique sacred properties and designs, making them revered among collectors and devotees alike. These amulets embody rich spiritual heritage and are highly sought after for their efficacy in protection, charm, and blessings.

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