Phra Phutta Chinnaraj Pim Chiang Saen Song Na BE2445 Nur Din Wat Bang Yihon Consecrated by Luang Phor Niam Wat Noi

What is the Phra Phutta Chinnaraj Pim Chiang Saen Song Na amulet by Luang Phor Niam Wat Noi?

The Phra Phutta Chinnaraj Pim Chiang Saen Song Na Luang Phor Niam Wat Noi is an ancient Nur Din (fired clay) amulet created at Wat Bang Yihon, Suphan Buri Province, around BE 2445 (circa 1904). It depicts two postures of Phra Phuttha Chinnarat on the front and back faces, and is regarded as one of the most prized classical-era amulets from the mid-Rattanakosin period.

This amulet was produced by Luang Pho Yat, the former abbot of Wat Bang Yihon, who was a close associate of Luang Phor Niam Wat Noi — the celebrated monk renowned for passing away in a reclining posture reminiscent of the Buddha’s Parinirvana. Luang Phor Niam frequently visited Wat Bang Yihon to exchange knowledge of sacred magic with Luang Pho Yat, forging a deep spiritual connection to this batch of amulets.

Luang Pho Yat was described as a highly learned monk with profound knowledge of magic and consecration. His creation of the Bang Yihon amulets around 1904 stands as a landmark event in Suphan Buri’s amulet history, producing pieces that collectors have actively sought for well over a century.

The Phra Phutta Chinnaraj Pim Chiang Saen Song Na BE 2445 was unearthed from the pagoda around 1961, having been interred according to ancient tradition to perpetuate Buddhism. Pieces recovered from this unearthing are now considered highly valuable ancient amulets for both collection and personal worship.

Phra Phutta Chinnaraj Pim Chiang Saen Song Na and Wat Bang Yihon Heritage

Wat Bang Yihon, located in Suphan Buri Province, is the sacred origin of one of Thailand’s most sought-after classical amulet batches. The temple’s amulets — produced under the guidance of Luang Pho Yat in collaboration with the wider circle of revered monks including Luang Phor Niam Wat Noi — are today considered irreplaceable artefacts of mid-Rattanakosin Buddhist heritage.

The amulets created at Wat Bang Yihon were consecrated in multiple stages. Luang Pho Yat performed individual consecration upon completion, after which Luang Pho Kaeo of Wat Suan Hong — another celebrated monk of the era — added his own blessings. The amulets were then consecrated a final time before being sealed within the pagoda, following the ancient tradition of enshrining sacred objects to accumulate spiritual power over time.

The clay used in these amulets was sourced from ancient burial sites across Suphan Buri, including those at Wat Ban Krang and Wat Phra Rup — locations historically associated with concentrated spiritual energy. This deliberate selection of sacred earth is a hallmark of the craftsmanship that makes Phra Phutta Chinnaraj Pim Chiang Saen Song Na Wat Bang Yihon so exceptional among collectors. To understand more about the broader context of such practices, see this overview of the Thai Buddhist amulet tradition.

Nur Din Phra Phutta Chinnaraj Pim Chiang Saen Song Na — Composition and Craftsmanship

The Nur Din Phra Phutta Chinnaraj Pim Chiang Saen Song Na is fashioned from fine, hard fired clay — referred to in Thai amulet collecting as “Nur Din” — sourced specifically from sacred sites within Suphan Buri Province. The clay mixture incorporated earth from revered locations such as Wat Ban Krang and Wat Phra Rup, lending each piece a compound spiritual pedigree rooted in ancient ground.

Firing the clay in the Bang Yihon kiln produced amulets in a range of naturally occurring tones: black, red, gray, and yellowish-white. This variation in colour is a recognised marker of authenticity among experienced collectors. Some untouched pieces retain a delicate, thin layer of original patina, while examples that have been worn and handled over decades display a richer, deeper patina — both conditions being highly prized in their own right.

The two-posture design — “Song Na” — depicts Phra Phuttha Chinnarat and Chiang Saen iconography on opposing faces. This distinctive double-image format is specific to the Bang Yihon batch and makes the Phra Phutta Chinnaraj Pim Chiang Saen Song Na BE 2445 immediately recognisable to seasoned collectors. Pieces in beautiful original condition, as with this particular example, are described as rare.

Spiritual Benefits of Phra Phutta Chinnaraj Pim Chiang Saen Song Na by Luang Phor Niam Wat Noi

Devotees and collectors widely associate the Phra Phutta Chinnaraj Pim Chiang Saen Song Na Luang Phor Niam Wat Noi with powerful protective energy, particularly the quality known as Maha Uud — an invincibility-type blessing traditionally venerated for its ability to obstruct harm. The amulets made headlines in Suphan Buri following accounts of firearms failing to discharge during tests conducted by devotees, stories that have been widely recounted throughout the province and within the collector community for generations.

Beyond protective power, collectors across Singapore, Malaysia, and Greater China regard this amulet as a highly auspicious object for personal well-being and spiritual merit. Its status as an authentic Thai amulet of verifiable antiquity — over 100 years old — further elevates its esteem among serious collectors seeking both spiritual connection and historical significance.

• Maha Uud (Invincibility): Traditionally venerated for its reputed ability to obstruct physical harm and danger, as recounted in well-known accounts across Suphan Buri.
• Protective Blessing: Collectors associate consistent wearing of this amulet with a shield against misfortune, accidents, and negative influences.
• Charm and Charisma (Metta Maha Niyom): Devotees regard the Phra Phutta Chinnaraj iconography as an auspicious presence that fosters goodwill, respect, and positive relations in daily life.

Phra Phutta Chinnaraj Pim Chiang Saen Song Na BE 2445 — Authentication and Collector Value

Authenticating a Phra Phutta Chinnaraj Pim Chiang Saen Song Na BE 2445 requires familiarity with the distinctive characteristics of the Wat Bang Yihon kiln batch. Genuine examples display fine, hard clay bodies in black, red, gray, or yellowish-white tones, with crisp mould definition consistent with the craftsmanship of the early 1900s. Pieces in original, untouched condition are described by specialists as easier to authenticate due to the presence of intact surface patina unique to this batch.

As an amulet over 100 years old — unearthed from the pagoda at Wat Bang Yihon around 1961 — this piece occupies the upper tier of Suphan Buri amulet collecting. Its age, the multi-stage consecration by Luang Pho Yat and Luang Pho Kaeo, and its documented association with the circle of Luang Phor Niam Wat Noi contribute to its sustained desirability. For collectors seeking a Thai amulet Singapore dealers can verify and supply, this batch remains one of the benchmark classical-era pieces.

The Luang Phor Niam Wat Noi amulet connection — through the close spiritual relationship between Luang Phor Niam and Luang Pho Yat — adds a layer of provenance that elevates collector confidence. Rarity is a further consideration: surviving pieces in beautiful original condition, as described for this specific example, represent a diminishing pool of available inventory.